The journey towards encapsulating the dynamic phenomenon of splatter commenced with a meticulous exploration into the intricacies of drop casting method—a sophisticated technique harnessing the force of gravity to sculpt materials into desired forms. This initial foray sparked a profound realisation: the potential to immortalise the captivating interplay of motion and fluidity when an object collides with a liquid surface.

Embarking on this creative odyssey, I initially turned to moulding clay as my medium of choice. However, despite earnest efforts, the results fell short of expectations. The inherent lack of viscosity in the clay yielded mere imprints, failing to evoke the desired splatter effect. Undeterred by this setback, I pivoted towards experimenting with clay slip, a variant offering promise yet posing its own set of challenges due to its excessive viscosity, impeding the seamless transition into wax. Determined to surmount these obstacles, I embarked on a daring endeavour to directly replicate the splatter using wax.